Peter DeCaprio Capital

Sectors

Telecommunications and utilities look like different industries and behave like the same one. Both build expensive networks, both sell a service that households and businesses keep paying for, and both carry balance sheets heavy enough that the debt deserves as much attention as the equity. Peter DeCaprio reads them together, as cash flow and infrastructure businesses, with the same questions he brings to any credit: what the assets earn, what it costs to keep them earning, and who has the first claim on the difference.

Peter DeCaprio taking notes at a café table during a breakfast meeting with an investor

01Networks

Telecommunications

The network is a fixed cost, the subscriber is a recurring payment, and the distance between the two is what the capital structure was built on.

What he underwrites

Operators whose networks are already built and already paid for by a base of customers who rarely leave. He looks at the cost of keeping a subscriber against the revenue that subscriber produces over the years they stay, and at how much of the spending on the network is maintenance rather than expansion. Wireless carriers, fiber and cable operators, and the towers and long-haul routes that carry other companies' traffic all fall within the work. His interest is highest where the asset would be expensive to duplicate, the pricing is dull, and the cash flow after capital spending is real rather than promised.

What he avoids

Businesses that need a technology transition to go their way. Spectrum purchases or network build-outs funded with debt that current cash flow cannot service. Operators whose subscriber growth rests on pricing a larger competitor can undercut at will. He is also wary of consolidation stories in which the cost savings are counted before the networks are integrated, since the savings usually arrive later and smaller than the debt that paid for them.

Signals he reads

  • Churn, and the price increases customers absorb without leaving.
  • Capital spending as a share of cash from operations, and which direction it is moving.
  • The maturity ladder of the debt, set against the free cash flow that will have to meet it.

02Rate base

Utilities

A utility's earnings are set by a framework rather than a market, which is why its balance sheet, not its narrative, is where the analysis lives.

What he underwrites

Electric, gas, and water utilities whose earnings are set by a rate framework, which makes the cash flow unusually forecastable and the balance sheet unusually important. He studies the rate base, the return the utility is permitted to earn on it, and how quickly spending on the system shows up in customer bills. The interest is in utilities investing in their systems at a pace the framework will fund, in service territories that are growing, with debt at the holding company that does not crowd out the operating company beneath it.

What he avoids

Utilities that have added merchant power, trading, or other lines whose earnings are not set by a rate framework and whose losses are, in practice, borne by the utility's balance sheet. Holding companies whose debt depends on dividends the operating utility may not be permitted to pay. Plans that assume the framework will grant more than it historically has, and dividends already running ahead of the cash flow that is supposed to fund them.

Signals he reads

  • The gap between what a utility has spent on its system and what it has so far been allowed to recover.
  • Interest coverage at the operating company, and then again at the holding company.
  • Demand in the service territory, adjusted for weather, and whether it is growing.

Read side by side, the two sectors reward the same habit: a refusal to value the equity until the debt has been understood. The networks are the asset, the customers are the cash flow, and the capital structure decides who gets to keep it. Everything Peter DeCaprio does in either sector begins there.